Monday, January 10, 2011

Burlesque Anyone?

so last night i had the pleasure of being invited to Fleur de Tease at OEJ's. i've had little tastes of burlesque in the past, but this was my first full show. let me tell you that this is the definition of entertainment. it was funny at times, but sexy the whole time. these women had talent. they showed just enough skin to keep you interested. it was very tasteful. oh and did i mention sexy??? rhetorical question, of course i did.  and for $15 it's like a sore peter, you can't beat it!! this is what you won't get at a burlesque show. "amber", "candi" or "skyler" (you know the coked up, fake tittied, bottled blond working her way through college) trying to convince you that she really likes the person you are from a chance meeting at a strip club just to get your money. by the way "working my way through college" usually means that she has a heroin addicted jobless boyfriend that she has to support. ok i went off on a tangent there. anyway my point is, if you haven't been to Fleur de Tease you NEED to go to one. that is all!!

Sunday, January 2, 2011

Now This is Music!!!

its amazing that talent like this goes undiscovered for such a long time. seems like music these days is more about gimmick than talent. for example kesha & lady gaga. no talent hacks that have a gimmick. anthony hamilton's story is an example of talent without gimmicks or the right connections. he has raw talent. no auto-tune needed.

A soul singer who has drawn comparisons to such classic R&B vocalists as Bill Withers and Bobby Womack, Anthony Hamilton struggled for the better part of the 1990s as two of his albums went unreleased. Getting his start at age ten singing in his church choir, the Charlotte, NC, native also performed as a teenager at various nightclubs and talent shows. Always with an eye to move on to bigger things, Hamilton made the move to New York City in 1993, eventually signing with Uptown Records, epicenter for the new jack swing sound and home to artists such as Jodeci and Mary J. Blige. By 1995, Uptown was set to push Hamilton's debut album, but the company went out of business, leaving the album unreleased.

Hamilton next signed with MCA and recorded his critically acclaimed but largely overlooked 1996 album, XTC. Another transitional period followed and Hamilton ultimately found himself at the Soulife label. It was at Soulife, a relatively new venture run by some of the singer's old Charlotte friends, that Hamilton laid down tracks for another solo album and also wrote songs for such artists as Donell Jones and Sunshine Anderson. In 2000, he accepted an invitation to sing backup vocals on singer/organist D'Angelo's "Voodoo Tour" and traveled the world.
Upon returning home, Hamilton discovered that Soulife had also gone belly up.

With a second album unreleased, Hamilton spent the next two years selling songs and singing backup for artists including 2Pac and Eve. Then, in 2002 a lead spot singing on the Nappy Roots track "Po' Folks" garnered Hamilton some much-needed attention, as the song was nominated for the Best Rap/Sung Collaboration at the 2003 Grammy Awards. A subsequent gig performing at a Grammy luncheon led to a meeting between Hamilton and producer Jermaine Dupri, who quickly signed the singer to his So So Def label. Technically his fourth album, Comin' from Where I'm From bowed for So So Def in 2003. In 2005, some of his Soulife recordings were dusted off and polished up for release as Soulife, and the new album Ain't Nobody Worryin' followed later in the year, becoming his third consecutive Top Ten R&B album. 2007's Southern Comfort was another set of previously unreleased recordings; The Point of It All, a proper studio release, was issued near the close of 2008. ~ Matt Collar, Rovi